Gotta Get Away - The Rolling Stones - Decembers Children (And Everybodys) (Vinyl, LP, Album)

Keith Richards fell in love with her too, and their romantic triad realigned the precarious political axis within the Stones. Aftermath is the first Stones LP to have all-original material by the group. The plan was abandoned after Jagger met the potential director, Nicholas Ray , and disliked him. This time we were able to relax a little, take our time. Wyman recalled that Nitzsche and Jones would pick up instruments that were in the studio and experiment with sounds for each song.

According to Jagger, Richards was writing a lot of melodies and the group would perform them in different ways, which were mainly thought out in the studio. Jones proved important in shaping the album's tone and arrangements, as he experimented with instruments that were unusual in popular music , such as the marimba , sitar and Appalachian dulcimer.

During the recording sessions, Richards and Oldham dismissed Jones' interest in exotic instrumentation as an affectation.

Because of Jones' distractions, Richards ended up playing most of the guitar parts for Aftermath , making it one of the first albums to have him do so. Richards later said he found the challenge musically rewarding but resented Jones for his unprofessional attitude when the band were under extreme pressure to record and maintain a hectic touring schedule. According to the musicologist David Malvinni, Aftermath is the culmination of the Rolling Stones' stylistic development dating back to , a synthesis of previously explored sounds from the blues , rock and roll , rhythm and blues , soul , folk rock and pop ballads.

Along with their follow-up, Between the Buttons , Aftermath is cited by Malvinni as part of the Rolling Stones' pop-rock period as it features a chordal range more diverse and inclusive of minor chords than their blues-based recordings. Citing individual songs, Rolling Stone describes Aftermath as "an expansive collection of tough riffs 'It's Not Easy' and tougher acoustic blues 'High and Dry' ; of zooming psychedelia 'Paint It, Black' , baroque-folk gallantry 'I Am Waiting' and epic groove the eleven minutes of ' Goin' Home ' ".

He also notes how Richards' guitar riff and solo on the latter track are "minimalistic, in a fairly low tessitura and relatively emotionless", compared to previous Stones hits like " I Can't Get No Satisfaction", "Get Off of My Cloud" and "19th Nervous Breakdown". Aftermath ' s diverse musical style contrasts the dark themes explored in Jagger and Richards' lyrics, which often scorn female lovers. Margotin and Gueson say that Jagger, who had been accused of misogyny before the album, is avenging real-life grievances with the songs, using "language and imagery that had the power to hurt".

Not all dumb, not by any means, but that's how one got. You got really cut off. In Guesdon and Margotin's view, the Stones express a more compassionate attitude towards women in "Mother's Little Helper", which examines a housewife 's reliance on pharmaceutical drugs to cope with her daily life, and in "Lady Jane"'s story of romantic courtship. Overall, the darker themes lead Margotin and Guesdon to call Aftermath "a sombre album in which desolation, paranoia, despair and frustration are echoed as track succeeds track".

Misogyny, as on "Under My Thumb", "may be just a tool for restoring the fragile narcissism and arrogance of the male narrator", muses the music scholar Norma Coates.

It may also be read "as part of a dark male fantasy world, perhaps constructed as a means of dealing with loneliness caused by a broken relationship or a series of broken relationships with women. However, the band uses musical connections between songs as well as the subtheme of travel, the use of feline metaphors for women and other lyrical connections to suggest that the characters whom lead singer Mick Jagger portrays throughout the album are really one and perhaps stem from the deep recesses of his psyche.

According to the music historian Simon Philo, like all the Stones' releases, Aftermath also reflects the band's "engagement" with Swinging London, a scene in which their decadent image afforded them a pre-eminent role by capturing the meritocratic ideals of youth, looks and wealth over social class. The band's misgivings about their rock stardom are also touched on, including relentless concert tours in "Goin' Home" and fans who imitate them in "Doncha Bother Me", in which Jagger sings, "The lines around my eyes are protected by copyright law".

The title controversy embroiled the Stones in a conflict with Decca, delaying Aftermath ' s release from March to April Rejected by Decca, the packaging was used instead for the US version of Big Hits , albeit with a cover showing the band standing on the shore of the reservoir.

The front cover photo for Aftermath ' s British release was taken by Guy Webster and the cover design was done by Oldham, credited as "Sandy Beach". For the American edition's cover, David Bailey took a colour photo of Jones and Richards in front of Jagger, Watts and Wyman, and set it against a blurred black background.

According to Margotin and Guesdon, the photo was intentionally blurred as "an allusion to the psychedelic movement" and "corresponds better to the Stones' new artistic direction". Aftermath ' s release was preceded by the Rolling Stones' two-week tour of Europe, which began on 25 March It stayed on the chart for 28 weeks.

By 13 August, it had risen to number 2 behind the Beatles' Yesterday and Today. Aftermath received highly favourable reviews in the music press.

Green said the music is unmistakably rock and roll and was especially impressed by Watts' drumming. The magazine's reviewer applauded its focus "on big beat, power and interesting 'sounds'", noting how the use of dulcimer, sitar, organ, harpsichord, marimba and fuzz boxes creates an "overwhelming variety of atmospherics and tones".

While the lyrics' derisive attitude to women offended some listeners, this aspect received little attention in the British pop press or complaints from female fans. He said that the Stones' "archetypal girl", as first introduced in their song " Play with Fire ", was "rich, spoiled, confused, weak, using drugs, etc. He said that in songs such as "Stupid Girl" and "Under My Thumb", the Stones had "defied a central taboo of the social system" and that "they have done so in the most radical and unacceptable way possible: by celebrating it.

Some feminist writers defended Jagger's stance in "Under My Thumb". The reason — they attempt to sing. Each order is carefully packaged by removing the LP from the jacket to avoid seam splits, use of 3 ml plastic cover sleeves over each LP and jacket, cardboard pad inserts, and placed in sturdy record mailers for safe delivery.

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It is the Rolling Stones at their innovative best. UK only EP. Written in and first released by Marianne Faithfull. NO wear, as you know, the dark front usually always found with moderate to a lot of shelf wear. Overall rated as a strong '60s survivor!

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December’s Children contained two classic Rolling Stones singles. “Get Off Of My Cloud” was the follow up single to “Satisfaction” and also reached number one. Charlie Watts' short drum introduction to the song is instantly recognizable forty years later. Keith Richards and Brian Jones intertwine their guitars in a classic poetiafintakinrods.soikmarvictivabcogebbaresagalvie.co date: Aug 30,

8 thoughts on “Gotta Get Away - The Rolling Stones - Decembers Children (And Everybodys) (Vinyl, LP, Album)

  1. Feb 24,  · Album "December's Children", released: 4 December At that time, the song "Get Off of My Cloud" was already in the charts, it was already a hit (the single was released on September 25, ), so when the album was released for the first time, some copies (not sure if all) had on front cover the sticker "Including THE ROLLING STONES' smash hit GET OFF OF MY CLOUD ", in red text (see /5(K).
  2. View credits, reviews, tracks and shop for the Vinyl release of December's Children (And Everybody's) on Discogs. Label: London Records - LL • Format: Vinyl LP, Album, Repress, Mono • Country: US • Genre: Rock • Style: Blues Rock, Garage Rock, Pop Rock4/5(27).
  3. Gotta Get Away Blue Turns To Grey Oct 26, at IBC Portland Place Studios, London As Tears Go By Also of interest, the UK Out Of Our Heads used the same artwork as the US release of December's Children. This information comes from "It's Only Rock And Roll: The Ultimate Guide To The Rolling Stones" by Karnbach and Bernson and from my own /5(19).
  4. December's Children and Everybody's has some good tunes in it with a couple of their big hits such as As Tears Go By and Get Off My Cloud. This is an excellent album to keep the Stones rolling which they have proven over the decades/5().
  5. These were the albums, and the year, , which saw The Rolling Stones really start to stand on their on two feet as a credible rock band singing their own credible rock songs. Yes, each album contained contemporary soul covers as well (as opposed to the r 'n' b covers of their albums), but they also had some seriously good Jagger /5().
  6. $ Decembers Children And. Source: poetiafintakinrods.soikmarvictivabcogebbaresagalvie.co Decembers Children And Everybodys The Rolling Stones ⌛ Ending: pm on Sunday 20th September.
  7. The English rock group the Rolling Stones have released 30 studio albums, 28 live albums, 26 compilation albums, three extended play singles, and poetiafintakinrods.soikmarvictivabcogebbaresagalvie.co early albums and singles released from to were originally on Decca Records in the United Kingdom, and on their subsidiary label London Records in the United States.. It was common practice in the music industry, prior to.
  8. The Rolling Stones 20 Album LOT Various 12" Vinyl Classic Rock n Roll 33 RPM LOT. $ $ + shipping. The Rolling Stones: December's Children LP // MTW Records. $ Free shipping. THE ROLLING STONES December's Children Vinyl LP LONDON LL MONO Vg/g. $ shipping: + $ shipping. The Rolling Stones - December's Children End date: Aug 23,

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